Nancy - Musée des Beaux-Arts

Lillian :  In our last post we showed you some of the wonderful collection of Daum glass-work in the Musée des Beaux-Arts.  Now we will show you a few snippets from the rest of the Fine Arts Museum.

Audrey :  We spent so long looking at the lovely Daum collection we didn't get to spend much time in the rest of the museum - which was a pity.


Lillian :   Our photographer loved the head-dresses in this painting and that the lady is knitting!    Looks like she is working on a sock.

Le Mariage mystique de St Catherine, Joos van Cleve

  
Audrey : Our photographer also likes paintings with lots of costume detail - like this.   Hmmm I'd like a head-dress like that myself.

Lillian :  The little chap beside her is singing - and holding the music which is written in a very old style of notation - with square notes.

The photo is of some details from Le Mariage mystique de Sainte Catherine by Joos van Cleve, 1514.

L'Enlèvement d'Hélène by Mathis Gerung, 1531

Audrey : Here we have more fabulous costumes - and look at those red boots!  

Audrey :  Not so much colour in this painting - all monochromatic except for the faces & hands.






Lillian :   And another painting with a limited palatte, though rather more recent.  Les Vestales by Jean Raoux, 1728. 

detail of Les Vestales by Jean Raoux, 1728

Audrey :   They look very pretty looking after the fire and arranging the flowers ...



 Audrey :  Now this little girl is making quite a fashion statement with her collar & muff of leopard fur.


 Lillian :  By Adolphe Ulrik Wertmüller and part of a set of portraits of the Charton family.  Thomas Charton was an art lover and a patron of Wertmüller, this portrait is probably of Émilie his daughter, it was painted in 1781. 

 Audrey :  Oh! they didn't have faux fur then did they?

Lillian :  No, there was no "Acrylicus fakeus" - I'm afraid that fur was real spotted feline.   But Adolphe Ulrik Wertmüller had an interesting life - he was born in Stockholm, studied art in Paris, painted Marie Antoinette and George Washington - he ended up migrating to America.


  Audrey :  Now our photographer also has a 'thing' for representations of the saints with their attributes. 

 Lillian : ahuh ... and St Lucia / St Lucy is one of her favourites.  In this painting St Lucia holds a palm frond - indicating that she was martyred - and in her other hand ... 



Audrey : That looks like a cake stand with a pair of Blythe Doll eye-chips on it!   Is she the patron Saint of Blythes?

Lillian : Umm I'm not sure if we have one.   But the eyes are part of the stories of St Lucy - perhaps not surprising as her name comes from the Latin Lux, Lucis meaning light & you need light to see.  In some stories about St Lucy her torturers took out her eyes - in other tales, an admirer praised her beautiful eyes so much that she took them out herself and gave them to him.  Anyway, that is why St Lucia is usually depicted with an extra pair of eyes on a golden tray, or holding a pair of eyes like an old fashioned pair of spectacles.  Some of Rene Magritte's surrealist paintings have similar pairs of eyes ... Le Liberateur is one such.

Audrey :  So St Lucy has an extra pair of eyes ... like us Blythe dolls (only we usually have 4 pairs of eyes each).  I think she should be our patron saint.

 
 Lillian :  Now we aren't sure which saint this painting was of - our photographer just took photos of the fish-in-a-harness,

Audrey :  Looks like a fish hand-bag ... cute idea!

Lillian :  Fish are one of the attributes for St Peter but he is most often shown with a key.  St Zeno of Verona, patron saint of anglers is often shown with a fishing rod or a fish and St Ulrich of Augsburg is usually shown holding a fish.  However, all of those saints are usually shown as older gents in flowing robes.  The painting here shows a young man, in green hose (green was associated with youth). 

Audrey :  I think a fish-shaped hand-bag, done in slightly metallic pleather ... might work in a quirky but cute way.

  Lillian : Another quick snap was of this cupid ... from the foreground of a 18thC painting.  His rosy red cheeks had us wondering if the artist had only ever seen babies with nappy rash.

Lillian :  The Musée des Beaux-Arts is in one of the beautiful white lime-stone buildings facing Place Stan - there is a really beautiful sweeping staircase...

Here is the view from one of those windows - looking down into Place Stan.

Audrey : And looking at all those people dining under the umbrellas made us realise that we hadn't eaten for hours!



Lillian :  So we had a lovely little picnic with yummy doll-sized food.

Audrey :  I was so tired - and my feet were too!

Nancy - Daum Glass in the Musée des Beaux-Arts

Vase aux hirondelles 1897

Lillian :  As promised in our last post, in this one we will show you some of the utterly gorgeous Daum glass-ware in the Musée des Beaux-Arts in Nancy. 
Audrey :  Apparently Nancy's Museum of Fine Arts is one of the oldest museums in France.  It is in one of the lovely buildings around the edge of the Place Stanislas.  But more about that in another post - this one is all about their wonderful collection of Daum Glass.


Lillian :  The Daum Studio is still making beautiful things from glass, and is still based in Nancy.  The company was founded in 1878 by Jean Daum and his sons Auguste and Antonin were very active in the Art Nouveau movement and l'Ecole de Nancy.

Audrey :  That lovely tall vase has sweet little birdies flying around it - we call those birds Swallows, the French name is l'hirondelle - and you don't pronounce the H.

Lillian :   I'll attempt to translate the label for this vase - "blown glass mold, acid etched, enhanced with painting in enamel and gold".

Audrey :  That sounds very complicated and extremely clever.  Let's see more lovely Art Nouveau glass vases - this one with wasps and daisies is similar in shape and colour to the one with the birdies.





Lillian :   We forgot to note what the label said about this dragonfly vase - but the body of the  dragonfly looks as if it were applied, and that mottled, dappled look is usually made by sprinkling powdered material onto the hot glass. 




Audrey :  I've looked up the French word for the dragonfly - la libellule.  Those Art Nouveau artists liked their insects, like this cicada or la cigale.

Cruche aux épis de blé et à la cigale 1905

Lillian :  That beautiful ewer made us think of the Summer time; with its ears of wheat, delphiniums, poppies and that blue cicada.  From the label ... "mold blown glass, multilayer, acid etched, painting with enamel, enhanced with gold and applications".


Audrey :   Multilayer?

Lillian :  Hmm, we'll I'm no expert but sometimes they used several layers of glass in different colours and then they could etch back to reveal the colours underneath. 

I think this vase with narcissus is made with multiple layers of glass that were then etched.   


Perhaps this tiger-lily vase too ...





The Daum brothers were very clever - they won a 'Grand Prix' at l'Exposition universelle de Paris, 1900.  They also collaborated with, and employed other talented artists including Jacques Gruber, Henri Bergé and Amalric Walter.

Amalric Walter is most associated with the pâte de verre (glass paste) process,  a revival of an ancient Egyptian technique.  Daum still use pâte de verre to make some of their pieces.

Audrey :  That's a bit mind-boggling - using such an ancient technique ...

Lillian : Well, when you think about it, making glass is basically the same today as it was in ancient times ... you take silica (quartz sand), add a few things to it such as lime (from limestone) and potash and then you super-heat it until it melts.  The Alsace/Lorraine region has produced glass-ware for centuries - perhaps because the area had (still has) plentiful forests, water and very white (so not many impurities) limestone and sand.  Baccarat crystal is another glass-maker still in production and Baccarat is just to the South-East of Lorraine.

Let's see more flowers -  tulips, 

Crocuses and Cœur de Jeannette ...

Vase aux Cœur de Jeannette 1910

Audrey :  Oh!   that's the flower that we found in Avallon - we hadn't seen it before.  The English call this flower 'Dutchman's trousers' but I think I prefer the name - Heart of Jeannette.

Audrey :  This was my favourite vase - Red Poppies.  (you can see the other side in the photo of the Tiger-lily vase above)

Vase aux pavots rouges 1923

Lillian :  Translating the label for the lovely poppy vase ... "mold blown glass, multilayer, acid etched ... hammered"  this vase has a metal base ... 
Audrey :  Excuse me - you said it was "hammered" ?   But this is glass, you can't go about hitting beautiful glass vases with a hammer! 
Lillian :  Well, perhaps the glass is still hot and not quite hardened when they do it ... if you look closely there is a dimpled effect in the glass. 
Audrey : I wonder how many lovely things didn't quite make it through all the processes and techniques they used in order to make one vase.

Lillian :  Well, here are some examples of another technique that the Daum Frères used to great effect - application of glass 'bubbles' and 'dribbles'.



Audrey :  Very different styles there - the 'grape' vase is earlier than the others.





Lillian :  Yes - and here are some very Art Deco pieces ...

Lampe rectangulaire 1930

This tall vase is encased in metalwork.  The yellow lamp is mold-blown and engraved with acid. 

Audrey : That yellow looks almost edible.










Lillian :  The colour, clarity and sparkle of this mid-century vase was amazing.
 







Audrey :  This bowl is quite recent - 1987 - and the cactus (it looks like prickly pear Opuntia)  is made with the pâte de verre technique.

 

Lillian :  Our last photo for this post is a close up of an Art Nouveau, bowl.  Beautifully decorated with toadstools. 

 

 Audrey :  In our next post we'll be exploring some of the other things in Nancy's Musée des Beaux-Arts.